Welcome to my blog, in which I'll be trying to give some useful listening tips to those of you who want to hear what the Finnish independent music scene has to offer.

Why I've decided to set up this blog

Although I was active in Aberdeen (a city in Scotland)'s music scene before moving to Finland, primarily with the bands Dedalus and Hookers Green No. 1, I lost interest in music around 2006. For instance, I bought about four albums between summer 2006 and the end of 2010.

At the same time, I was only ever an avid music fan from around 1997 to 2000 – the years when I religiously bought Kerrang! (or read it in the newsagent's I worked at). Therefore, I have a pretty decent knowledge of loud music from the late 1990s as well as of rock history before that, but everything else is a bit of mystery to me.

In the summer of 2010, I got back some of the passion I used to have for music while reading Michael Azerrad's Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991. During the following autumn this rekindling of interest in music was strengthened as I researched and wrote an article about straight edge in Finland:

http://sixdegrees.wm.fi/6d/index.php/society/39-society/320-out-of-step-with-the-world

Becoming acquainted with some of the individuals and bands involved in Helsinki's hardcore scene, as well as attending my first gigs in four years, inspired me to delve further into the Finnish independent music scene. What I found I liked, and I'd like others to benefit from the raking I'll be doing in the coming weeks, months and maybe even years.

Do I see myself as a music critic, then?

No! No! No!

The most negative thing I'll say about a band I encounter is that I'm not too keen on certain small details of their music; nearly everything else will be positive, and as such I don't think I can be called a (good) critic. If I don't like a band, I won't write anything about them. Local bands have a hard enough time trying to build up a following without middlemen putting potential fans off before the latter have even heard the music for themselves.

Of course, my blog could, if anybody ever ends up reading it, be accused of doing something similar, as my highlighting of the bands I like may sway readers in one direction and not another. However, I see my blog in "positive sum" rather than "zero sum" terms. In other words, if somebody comes across my blog, it's unlikely they'll be a Finn, as there are better sources of information about this topic written by Finns themselves. Instead, readers probably won't know much about Finnish independent music to begin with and anything I write will, at best, help them to find out more about a somewhat unknown and impenetrable music scene they wouldn't have found out too much about otherwise. Maybe I'll be proved wrong. Let's see what happens!

What is Finnish independent music?

I'm not too sure yet, as I've only listened to a handful of records thus far. I'm basically interested in bands that aren't signed to big labels and who play some sort of guitar music. Maybe, as I listen to more records, I'll have to widen my definition of "Finnish independent music", but it'll do for now. One thing I should say is that I won't be writing anything about really, really heavy bands, as I simply can't tell the difference between a poor super-heavy band and a great one. I'm not saying that this music isn't good; it's just not my thing.

Leading on from this point, I should also say that, as noted above, I'm no music expert, so something I find impressive and exciting in Finland's independent music scene may, in fact, be a complete rip-off of some band I've never heard of. At worst, though, I'll be recommending competent, generic bands.

Okay, I think that's all for now. Hope you benefit from what I have to say!

Al, Monday 17 January 2011

Friday 18 March 2011

David Sandström

I've decided for no good, justifiable reason to include a second post today about some non-Finnish music.

David Sandström, as some of you will know, was the drummer in the Swedish band Refused. Since their demise, he's made a lot of pop rock I don't like very much. However, the first thing (to the best of my knowledge) he released under his own name after Refused was wrapped up was Om det inte händer nåt innan imorgon så kommer jag. The album is no longer available to buy, so Sandström's uploaded it here:


The album's very experimental and a little bewildering at times, but I urge you, absolutely urge you, to listen to "1968", which is so good I woke up a few days ago with it in my head despite not having listened to it in many, many months.

Fun

I got my hands on Dischord's 20th anniversary compilation around the time I posted my last blog entry and have been working my way through that recently so haven't had much time to listen to Finnish stuff. But here's something now.

As much as bands shouldn't be accorded praise and respect based on who their friends are, the fact that today's blog subject has had their last two albums recorded by Steve Albini has that sort of effect. A former bandmate of mine once described Shellac's music as "brutal" and "relentless". Fun are a bit like this, but there's some light relief in there as well. The band's record label says this about them:

"Think of Rapeman and Melt Banana, fry up some Butthole Surfers and then add a dash of the spastic Finnish jazzcore of Deep Turtle." (www.ifsociety.com/bands.php)

That doesn't mean too much to me, but maybe it does to someone else (other than its author). I've only listened to one of Fun's records – Zu-Pa, plus the stuff on their website – but on it I hear lots of Shellac with at least the occasional dash of Mr. Bungle. They also have an attitude that reminds me of Groop Dogdrill, if that means anything to you.

" 'Fun'. The name says it all. It's a reminder of what rock music should be." (www.fullsteamrecords.com/app/artist/list/-/category)

Considering that "Angora" describes the stabbing of a woman, I'm not sure if I have quite the same sense of humour, but I can see what's being gotten at – Fun sound like they're capable of having a laugh....sometimes.

Zu-Pa's most accessible track is "Slonko" (www.noisecorewalze.com/#/media), which absolutely oozes coolness. Also worth a listen – in addition to the tunes on the band's website – is "I've Got a Truck" (www.youtube.com/watch?v=xGN6ADSI4Dc), if only to hear how a song's first two minutes can be based almost solely on one repeating bass note. The first time you listen to the song, this beginning is very boring, but after that first listening, armed with the knowledge that there's something coming in two minutes' time, the buildup and release is exhilarating.